Age: 23, or thereabouts
Gender: Male (just some guy)
"always follow the four g rule .... is it gaudy is it gauche is it grotesque is it godly"
Pale & Southern Star & Edgeworth. Collectively he/him. Web developer. Fanfiction author. Pixel artist. Motorcyclist. Head of the Edgeworth Law Offices. (Has not passed the bar in Canada.)
Oh right, should have a pinned post. Hi. This blog is run by Pale / Luteia, alongside Edgeworth and South. We’re a system. We’ve had this blog since 2012, so call us a proper tumblr veteran. We are male, in our 20s, and ADHD. Our website is here.
Current hyperfixation is Ace Attorney. If our tags sound unhinged and not relevant to canon, we’re talking about the very large AU we write with our partner system; Sagiverse. You may ask about this if you would like. There’s more to it than you could ever guess.
Editing to add: if we have you blocked, you may contact us once on an alt account to contest it if you think we shouldn’t have. We block very liberally, and sometimes we catch people by accident.
i know we like to talk a lot about found family on this website but what about forced family. they’re stuck together. they hate each other they love each other they would never choose each other in a billion years they would do anything to be free from one another they protect each other they can’t stand another moment with each other but on some days it seems okay. all they have is each other.
did i ever tell you guy about the time i got stuck in a room with the kpop band BTS in the santiago airport in 2017
so at the time i was traveling a lot for work, which is important context because it meant that i’d gotten very – or, one might argue, TOO – comfortable in airports and also that i was constantly in the wrong timezone and almost never thinking like a regular person. and on this particular trip i’d been in like 4 different countries and santiago was my last stop and literally all i wanted to do was like, get there, get to my hotel, and sleep. but for reasons that were not clear to me at the time, the airport seemed to be conspiring to keep me from doing this, because it was busy and because – it seemed – it was understaffed, with people being funneled through just one exit door.
these reasons would become clear to me in short order.
now, part of the problem, in defense of the airport and its staff, was that at the time i was carrying this huge plank, which was sort of supposed to be a cheese board, but it didn’t look like a cheese board, it just looked like a huge plank. and the reason i was carrying it was because it had been a gift from the staff of a homeless shelter i’d just been at. and i’m not saying that so that you guys know i’m a good person i’m saying it because i need you to picture me with huge dark circles under my eyes, carrying a suitcase and this massive, misshapen plank that i kept insisting was “for cheese.”
TSA was like “hey girl. what’s this?” and i was like “it’s wood.” and they were like “yeah. why do you. have it?” and i was like, “the homeless people gave it to me. for cheese.”
i speak better spanish than just mindlessly repeating “it’s for cheese. it’s FOR CHEESE. IT’S FOR CHEESE,” but at that point in my journey i was so tired that i didn’t understand what they weren’t understanding.
it’s wood! it’s for cheese! what’s the problem!!!!!!
anyway, once we all agreed that it was okay for me to keep my Cheese Wood, and having been to santiago many times before this, i knew that there was another exit door after customs. even though we were all sort of being funneled toward Door B, there was nobody stationed in front of Door A, and it didn’t seem like you weren’t allowed to go, it just seemed like one of those things where because the only bag-X-ray-machine things in use were close to Door B, that’s where everyone was going.
so in my little brain i thought, aha. this is one of those things where people join lines but they don’t have to! this is sheepery! i’m taking my cheese wood and i’m going rogue.
so anyway i went through Door A.
you know how usually when you go through the first set of doors in an airport you enter into this big bustling area where all the car rentals and currency exchanges etc are and it’s stressful and busy?
this was not like that.
this was like that guy on tiktok who’s like “oooo i’m in a parallel universe where i’m the only one left on earth” except in my case it was me, a single Avis employee, and, of course, the extremely famous kpop band BTS.
i should clarify that at the time i did not know that it was BTS.
i didn’t even know who BTS were.
i had at that point watched “coffee prince” and “princess hours” and that was the extent of my k-entertainment knowledge.
what i knew was that it was me, a single Avis employee, and 7 boys in face masks and a wild array of hair colors who were all staring at me and my Cheese Wood with looks of increasing alarm.
the room got very quiet. there were a couple of cameramen if i’m remembering rightly, and a woman with like …. a clipboard or something?, and then this group of boys, all of whom were now looking at me.
i was tired but not a moron so i very quickly realized this was not a room meant for me so i turned around, but i had gone through one of those doors where once you go through in one direction you can’t go back. so i was stuck.
i turned around again. they were still all looking at me.
i was like, “uhhhhh.”
they were like, “uhhhhh.”
the poor lady with the clipboard said something very nervously in korean, presumably whatever is korean for, “uhhhhh.”
anyway, one thing about me is, i frequently find myself in situations where the only way out is through, so what i did was kind of half wave my Cheese Wood at them – which made EVERYBODY flinch – and then go over to the Avis employee and say, “i need to get a taxi.”
he was like, “you might … want to wait?” and gestured at the guys standing in the middle of the room, who were still looking at me with what was rapidly becoming clear was worry.
i’m going to assume it was because i looked terrible, and, once again i must remind you, was carrying a massive, badly-carved object that i’d just waved at them.
i’m a little nervous about putting any other words in quotations, bc no offense but BTS fans are very intense and i don’t want to inaccurately quote their beloveds, but i think once it became clear to them that i wasn’t a threat, i was just stupid, everybody seemed to relax.
in english, i said, “should i wait?” and gestured at the door.
one of them, and i’m really sorry but i have no idea which, the only thing i remember about them was one had blue hair and one very like … reddish? like you know that kpop red hair color??, said, “you should go first.”
in hindsight this was both probably a good idea and also: a terrible one.
so the Avis guy went over to the taxi stand and reserved me a taxi and let me pay in advance. we were all kind of standing awkwardly. i was like, “sorry about this.”
the BTS boys were very nice to me. we didn’t really talk a lot, we sort of did that thing where we laughed companionably at each other about how weird the situation was, and they were like, “it’s okay,” when i kept apologizing. i kind of remember that we nervously kind of chatted about nothing, but they were clearly nervous and i was very embarrassed so i sort of blacked it all out. i feel like mostly i was speaking to the one with red hair? and white hair, i think one had white hair?
(sorry. i know it will matter a lot to people who love this band which of them were speaking to me but i didn’t know them at the time so i can’t tell you.)
eventually Clipboard Lady came over and started gesturing toward the door, indicating i should go. i looked at the band for confirmation. the one who’d been speaking to me was like, “yeah, it’s okay, you can go.” and then paused, and then, i do remember this, went, “umm, good luck.”
i was like ????? bro i’ve taken taxis before and i speak fluent spanish, but i didn’t say that out loud. out loud i said, “thanks! you too,” and then felt very stupid about it.
the band stepped back, which i now know was so that they couldn’t be seen through the doors when they opened, but at the time sort of felt like they were gently clearing the way for the dumb stray with her huge stick that they’d found. i waved goodbye. they waved back. i stepped forward. the doors began to open.
a roar went up.
i mean like.
it was loud. we were at an airport and it was louder than the planes, it felt like. they were so excited. they were going to see the band they loved!!!!! BTS was coming out!!!!
BTS was not.
mollyhall was coming out.
i have never disappointed so many people all at one time, and i once broke the news about notre dame being on fire to all of versailles.
the speed at which silence fell will honestly probably haunt me forever. eventually, one girl went, “WHERE ARE THEY?”
i pointed at the airport. “they’re in the airport,” i said. i didn’t have to shout. that’s how quiet it was.
“do you know them????”
i was like, “no. i’m just trying to get to my hotel.” i waved my cheese wood as if this would somehow make clear that i was here on business that had nothing to do with the 7 korean boys in the room behind me.
the girl said, “when are they coming out?”
“i honestly have no idea. probably soon?” i guessed, and was saved from more questions by somebody’s dad taking pity on me and leading me to where the taxis were waiting.
“what’s that?” he asked as he helped me lift my suitcase into the trunk, pointing at the plank in my hand.
AI fearmongering bugs me. Want to help me fight it?
Hi, Tumblr! You may keep seeing posts go around that talk about how AI is going to replace all fiction writers, probably quoting George Orwell in the process.
Want to help me prove the doomposters wrong? Help support an indie author and prove that you want fiction written by humans.
All of my short fiction is Pay What You Want on Smashwords. If you like stories about unicorns and plague vets, lacemaking orcs, or trans steampunk sky captains, give one of them a whirl– and support an author who’s never gonna use AI.
honestly I think this is going to become a new rule for me
every time I see gorram stupid AI fearmongering I promo my stuff
because I can sit around sick and scared, or I can Do something about it
this quote from hbomberguy’s plagiarism video really resonated with me:
“creative people have trouble recognising their skills as skills, because eventually they feel like second nature. […] this stuff really is valuable. if it wasn’t, people wouldn’t be stealing it. creativity doesn’t feel special or unique until you realise people have to plagiarise it”
your craft is and always will be valuable, please never let anyone make you doubt that
the thing americans call “swiss cheese” is a cheap imitation of one of over 200 different types from switzerland, the specific cheese being emmentaler which whenever i show the actual thing to visiting americans they realize its so much better than the thing theyve been sold as swiss cheese all their live, and it’s by far not even the best swiss cheese there is! there is a whole world of cheese waiting for you out there
You really gotta hunt around for decent cheese around here, something imported from good sources, and it’s never cheap. It’s a travesty what passes for cheese here.
cheese.com is a great US and UK source for finding retail sources for various cheeses! but yea dont expect it to be cheap
when i say i like hiking, i don’t mean “eight mile backpacking trip with special gear and an emergency beacon” sort of hiking, i mean a three mile loop to go look at pretty things and then a huge brunch after.
this is in no way a slam on hardcore hiking, it’s very fun, but i mostly just need to lower people’s expectations when i say hiking is a hobby of mine
Hamlet: the 1948 Laurence Olivier one is here. The 1964 russian version is here and the 1964 american version is here. The 1964 Broadway production is here, the 1969 Williamson-Parfitt-Hopkins one is there, and the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation, the Kenneth Branagh 1996 Hamlet is here, the 2000 Ethan Hawke one is here. 2009 Tennant’s here. And have the 2018 Almeida version here. On a sidenote, here’s A Midwinter’s Tale, about a man trying to make Hamlet.
Henry IV: part 1 and part 2 of the BBC 1989 version. And here’s part 1 of a corwall school version.
Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.
Julius Caesar: here’s the 1979 BBC adaptation, here the 1970 John Gielgud one. A theater Live from the late 2010’s here.
King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny’s 2008 version is here. The 1974 version with James Earl Jones is here. The 1953 Orson Wells one is here.
Macbeth: Here’s the 1948 one, there the 1955 Joe McBeth. Here’s the 1961 one with Sean Connery, and the 1966 BBC version is here. The 1969 radio one with Ian McKellen and Judi Dench is here, here’s the 1971 by Roman Polanski, with spanish subtitles. The 1988 BBC one with portugese subtitles, and here the 2001 one). Here’s Scotland, PA, the 2001 modern retelling. The Royal Shakespeare Compagny’s 2008 version is here. Rave Macbeth for anyone interested is here. And 2017 brings you this.
Measure for Measure: BBC version here. Hugo Weaving here.
The Merchant of Venice: here’s a stage version, here’s the 1980 movie, here the 1973 Lawrence Olivier movie, here’s the 2004 movie with Al Pacino. The 2001 movie is here.
The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.
A Midsummer Night’s Dream: have this sponsored by the City of Columbia, and here the BBC version. Have the 1986 Duncan-Jennings version here. 2019 Live Theater version? Have it here!
Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here’s the 1984 version.
Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you’ve got the BBC version here and there.
Richard II: here is the BBC version. If you want a more meta approach, here’s the commentary for the Tennant version. 1997 one here.
Richard III: here’s the 1955 one with Laurence Olivier. The 1995 one with Ian McKellen is no longer available at the previous link but I found it HERE.
Romeo and Juliet: here’s the 1988 BBC version. Here’s a stage production. 1954 brings you this. The french musical with english subtitles is here!
The Taming of the Shrew: the 1980 BBC version here and the 1988 one is here, sorry for the prior confusion. The 1929 version here, some Ontario stuff here, and here is the 1967 one with Richard Burton and Elizabeth Taylor. This one I’m not quite sure what it is or when it’s from, it’s a modern retelling.
The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one. Theater Live did a show of it in the late 2010’s too.
Timon of Athens: here is the 1981 movie with Jonathan Pryce,
My favorite ultra-specific character type is “this fucked up little man clearly just needs a consensual BDSM relationship and some therapy and he’d be fine, but that is very much not what happens in this story.”
Terrible posting timing but I wanted to share those doodles of post-7 years gap Godot I did the other day to unwind.
He’s still blind, the glasses just replace his mask and are not just regular glasses but actually work the same than his mask (just adapted to like AA5 technology)